Stained Glass

Sheet glass for traditional stained glass work: lead came panels, copper foil pieces, suncatchers, and leaded windows. The selection is anchored by Wissmach Glass and Youghiogheny Glass, with non-fusible mottle sheets from Bullseye and Baroque sheets from Oceanside. The sheets here are 3mm non-fusible glass made for cold construction, not for kiln fusing.

What's in this category at AGS

Wissmach Glass carries the broadest spread, from smooth transparents in colors like Wine Berry and Sunrise Orange to worked surfaces such as Corella Classic and English Muffle textures. Youghiogheny Glass brings its signature Ice sheets and dense opalescents, including White Ice blends highlighted with gold pink, cobalt, and emerald. The Bullseye Glass collection holds single rolled mottle sheets in white-based color mixes, and Oceanside Glass adds Baroque sheets that swirl color through clear. A Non-Fusible Glass by the Pound section rounds things out with assorted scrap packs for mosaic and small stained glass projects.

Choosing stained glass sheets

Pick transparents where you want light to pour through, opalescents where you want the color to read even in low light, and textured sheets where the surface itself does the work. Mottles and Ice glass reward simple cut shapes that let the sheet's internal color movement show.

Usage notes

These sheets are sold as non-fusible art glass. Cut, foil, lead, and solder them into panels and mosaics, but keep them out of kiln firing schedules. For kiln work, see our COE90 and COE96 fusible glass sections instead.