Bullseye Glass

This Bullseye Glass Company collection gathers the studio's non-fusible mottle sheets, single-rolled at 3mm thickness for traditional stained glass work. The palette runs through soft white-based mixes accented with gold pink, turquoise, burgundy, lime green, and olive, plus richer two-tone blends like cobalt with light blue, emerald with celery, and patina green opalescent. Every sheet here is intended for cutting and assembling into leaded or foiled panels, not for kiln fusing.

What mottle glass looks like

Mottle glass shows cloud-like swirls of opalescent color rolled through the sheet rather than printed on the surface. Bullseye mottle sheets combine two or more colors in an organic-looking pattern, giving florals, landscapes, and abstract panels a painterly depth that flat opal cannot replicate. Backlit in a finished panel, the denser color clouds glow while the lighter passages let more light through.

What's in this Bullseye category at AGS

You will find Bullseye single-rolled 3mm mottle sheets built around white with warm accents (gold pink, lemon yellow, toffee, burgundy, olive) and cool accents (turquoise, lime green, cobalt, patina green, celery, emerald). Several sheets are three- or four-color mixes that combine white with turquoise, lime, and gold pink for sky, water, or floral fields. For other sheet styles and tools, browse the full stained glass section.

Non-fusible: choose accordingly

Every sheet here is labeled non-fusible. That means it is formulated for cold work and assembly methods (lead came, copper foil, suncatchers, lamp shades, traditional panels), not for kiln firing alongside Bullseye's COE 90 fusible line. Do not mix these sheets into a fusing project even though they share the Bullseye name, because thermal behavior is not matched to the fusible system. If you need fusible compatible glass, look at the dedicated fusing categories instead.

Working with single-rolled 3mm mottle

Single-rolled 3mm Bullseye scores and breaks cleanly with a standard glass cutter, and the mottle pattern is consistent enough on each sheet to plan cuts around the densest color clouds. Position those clouds where you want focal interest, such as petal centers, water reflections, sky breaks, or the heart of an abstract field. Standard copper foil and lead came techniques apply, and the opalescent body diffuses light evenly in panels that will be backlit or window-mounted.